Texas dark heavy metal band VENOMOUS MAXIMUS just released its new album Beg Upon the Light to widespread celebration. The record has been called “Lovecraftian” and a “masterpiece” by Metal Injection, “mayhem without mercy” by Decibel, “super-thick occult doom” by Rhapsody and “the best metal album to come out of Texas in a long, long time” by the Houston Press.
Click the image below to watch the new Path of Doom video.
Additionally, VENOMOUS MAXIMUS were hand-picked by New Orleans metal titans DOWN to support the band for a string of live dates on their upcoming U.S. tour.
VENOMOUS MAXIMUS is one of the most successful metal bands to emerge from Houston in years, beloved of headbangers and headbanging blogs from across the U.S. and points beyond (maybe even astronauts).
Since its formation in 2010, the group has become the go-to metal band in the country’s third-largest city, winning back-to-back titles at the Houston Press Music Awards as the Space City‘s “Best Metal Band” and has shared the stage with the like-minded Mastodon, Pentagram, Saint Vitus, The Sword, Graveyard and more.
U.S. Tour Dates (all shows supporting DOWN)
VENOMOUS MAXIMUS: Gregg Higgins (Vocals, Guitar), Christian Larson (Guitar),Trevi Biles (Bass) and Bongo (Drums)
“Texas cult metallers Venomous Maximus will appeal to fans of proto-metal bands such as Pentagram and Sir Lord Baltimore and current sludge fiends like High on Fire and Red Fang.” – AOL NOISECREEP
“The occult imagery might tip your expectations toward a blackened doom sound, but truthfully these guys are more of a traditional, uptempo stoner band. It would be unfair to say Venomous Maximus sound like former touring mates (and distant neighbors) The Sword, but it would be totally accurate to say that if you like The Sword this is exactly the kind of 70’s-drenched, weed toking rock ‘n roll that’s right up your alley. The riff is dominant, the mood is “let’s party”, the fists are pumping.” – METAL INJECTION
“doom-y guitars, witchcraft-obsessed lyrics…These guys basically take the modern form of doom-metal and drag it backwards ’til it sounds like it might’ve if Phil Lynott & co. had gone through a “doom period” prior to Think Lizzy’s demise.” – SPACE ROCK CITY
“Iron Maiden via High on Fire…a kind of post-Mastodonic punk. Venomous Maximus could hit on an excellent balance of familiar and genre-defying, ultimately adding to their home state’s storied legacy of heavy. Recommended.” – THE OBELISK
“This is some prime-evil, straight wicked mischievous type stuff. These guys know how to raise hell. Period.” – EXAMINER.com