SCAR THE MARTYR Announce Tour Dates

Scar The Martyr have announced a string of nine headlining shows in the U.S., beginning in Kansas City, Missouri on September 27 and ending in Des Moines, Iowa on October 8. Dates are as follows:

 

September 27 The Riot Room Kansas City, MO
September 28 Juanita’s Little Rock, AR
September 30 The Vanguard Tulsa, OK
October 2 White Rabbit San Antonio, TX
October 3 Scout Bar Houston, TX
October 4 Trees Dallas, TX
October 5 Riverside Warehouse Shreveport, LA
October 6 Pops Sauget, IL
October 8 Wooly’s Des Moines, IA

Scar The Martyr‘s self-titled debut album will be available everywhere October 1; pre-order your copy now on iTunes!

Scar the Martyr will also be opening five shows on Sepultura‘s upcoming North American tour with Unearth and Kataklysm. Dates are as follows:

November 1 House of Blues Hollywood, CA
November 2 Ramona Mainstage Ramona, CA
November 3 Regency Ballroom San Francisco, CA
November 4 Neumos Seattle, WA
November 7 Skyway Theater Minneapolis, MN

SCAR THE MARTYR:

Henry Derek – vocals
Joey Jordison – drums, bass, rhythm guitar
Kris Norris – guitars
Jed Simon – guitars
Chris Vrenna – keyboards

Free Scar The Martyr EP

About:

Heavy music has long provided a sanctuary for restless creative spirits. As drummer and songwriting mainstay for US metal titans SlipknotJoey Jordison has earned himself a fearsome reputation as one of the most prolific and artistically driven figures in modern music. Now, after many years of side-projects and collaborations, he has formed a new band that boldly encapsulates his unique creative personality. A full-blooded and fully-formed sonic beast that brings Joey together with some of the most talented musicians in the rock world, Scar The Martyr are starting as they intend to continue: as an unstoppable force.

Pieced together by Jordison and his new comrades over the last couple of years, Scar The Martyr’s debut album is both a celebration of one man’s unique vision and a potent collision between diverse but effortlessly compatible musicians. Although Joey plays guitars, bass and drums on the record, the contributions of lead guitarists Jed Simon (ex-Strapping Young Lad) and Kris Norris (Darkest Hour), vocalist Henry Derek and keyboard scientist Chris Vrenna (Nine Inch Nails) are not to be underestimated.

 

New SOULFLY Single Now Available

Logo: Nuclear Blast Records

Brazilian Thrash Heroes SOULFLY just released the first single, called ‘Bloodshed’ from their upcoming record, Savages which is now available at the Nuclear Blast Singlepool!

Max Cavalera is the walking embodiment of creative energy, of all of the diverse layers of urgency that are possible from that select few whose artistic output defines genres. Mystic shaman, protest singer, revolutionary hero, everyday metalhead, furious consumer of heavy music of all shades, husband, father, leader, songwriter… Cavalera reigns as the adoptive tribal chief of a generation of fans, stretching from the roughest slums of South America to the coldest confines of Russia. Anywhere that people are disenfranchised, the songs of SOULFLY serve as their anthems.

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Armed with Cavalera’s four-stringed guitars, unmistakable growl and instantly recognizable riffage, the muddy tones and constant rhythmic bounce of SOULFLY has retained its gritty edge while pushing the boundaries of what’s possible in metal. Savages represents a career-defining moment, solidifying the lineup with longtime lead guitarist Marc Rizzo (who has been in SOULFLY almost as long as Max was in SEPULTURA), bassist Tony Campos (STATIC X, MINISTRY, PRONG) and Max’s 21 year-old Zyon, who splits his time between drumming in LODY KONG and now SOULFLY.

“All of the things that make SOULFLY killer are combined in Savages,” Max declares.

Savages melds the most brutal, the heaviest and overall the most vibrant components that made up each record in SOULFLY’s diverse catalog. By Max’s own account, Savages is possessed of the tribal groove of the first two SOULFLY albums, particularly in songs like ‘Bloodshed’, ‘Ayatollah of Rock ‘N’ Rolla’ and ‘Master of Savagery’. But there’s also the thrash metal that was found on DARK AGES and OMEN; whereas the CAVALERA CONSPIRACY records contain short, punky bursts, the new SOULFLY record gets into the epic length territory of early METALLICA. The death metal vibe of SOULFLY’s Enslaved emerges in songs like ‘Fallen’ and ‘Cannibal Holocaust’.

“I really like the name Savages. I like single words that sound powerful, like ‘Primitive’, ‘Roots’, ‘Arise’,” Max explains.

“It’s about the human condition right now. We have the Internet and we’re working on missions to Mars, but we are still decapitating each other and blowing up marathons. We’re still savages. Even with technology and how far we’ve come in the world, our spirit is still that of a savage.”

A trailblazing pioneer and musician with millions of albums sold who nevertheless retains boundless street cred due to his grimy, raw and undeniable authenticity; Max Cavalera is one of the most prolific artists the realm of heavy music has ever known. There’s CAVALERA CONSPIRACY, which reunited Max with his brother and former bandmate, Igor Cavalera. There was the brutal attack of NAILBOMB, Max’s collaboration with Alex Newport from FUDGE TUNNEL, which included members of DEAD KENNEDYS, FRONT LINE ASSEMBLY, BIOHAZARD and NEUROSIS on-stage. There’s his forthcoming band with members of THE DILLINGER ESCAPE PLAN, MASTODON and THE MARS VOLTA. Of course, there’s Max’s unassailable work as SEPULTURA’s founder, leading the Brazilian band from their badass lo-fi beginnings, through their era of sophisticated thrash classics, up through the cultural landmark that is ‘Roots’.

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SOULFLY began almost instantaneously after his departure from the band he founded. The eponymously titled debut Soulfly sold over 500,000 copies in the United States alone, further expanding upon the tribal foundation of ‘Roots’ with percussive instrumentation, forays into esoteric sounds and multiple guest performers. Across the seven albums and never-ending tours that followed, Max worked with a who’s-who of the heavy music scene as band mates, guest musicians and touring members, including guys from SLIPKNOT, SLAYER, MEGADETH, DEFTONES, RADIOHEAD, STONE SOUR, CYPRESS HILL, MACHINE HEAD, DEVILDRIVER, FEAR FACTORY, MORBID ANGEL, THROWDOWN, S.O.D., SKINDRED, BORKNAGAR, WILL HAVEN and CATTLE DECAPITATION, among others.

In addition to Max’s own self-production, a number of important producers have lent their skills to SOULFLY, including Roots producer Ross Robinson (KORN, AT THE DRIVE-IN), Toby Wright (Ozzy Osbourne, SLAYER), Andy Sneap (MEGADETH, KILLSWITCH ENGAGE), ex-SOULFLY guitarist Logan Mader (FIVE FINGER DEATH PUNCH, GORJIA) and Zeuss (HATEBREED, SUICIDE SILENCE) and Terry Date (PANTERA, DEFTONES).

Cavalera asked Date, who had mixed for SOULFLY in the past, to produce the new album. Once studio time with the legendary producer was on the calendar, Max kicked into high gear with the material. Max and Zyon worked on the songs that would comprise Savages at home.

Zyon came up to me and said, ‘Give me a shot. I’ll play on the record for you. I won’t let you down,” explains the elder Cavalera. “I went into a room with him to jam and it felt great. So I said, ‘Fuck yeah, let’s do it!”

Generally on a SOULFLY album, the drummers would learn the songs in the studio, based on demo recordings from Max. This time, Max had the luxury of working out the songs at home with Zyon.

We jammed every single day for a month. He knew 90% of the material already when we got into the studio. It reminded me of recording the old Sepultura stuff, like Arise and Chaos A.D., Igor knew exactly what he was going to do before we went into the studio. This was very similar.”

Cavalera says he must’ve written at least 1,000 riffs specifically for Savages.

“The killer riff is what hooks the whole song together,” he says. “For me the writing process is about finding the most killer riffs possible. It’s a battle; sometimes I struggle with the guitar for hours. You have to throw it down on the floor and take a break. Come back a few hours later. ‘Let’s try this again, motherfucker!’  Grab it again and go to battle, go to war with the guitar until you get the right riffs.” 

Max points to BLACK SABBATH’s ‘Symptom of the Universe’ as one of the penultimate riffs of all time, citing SABBATH’s Tony Iommi and METALLICA frontman James Hetfield as among the riff-masters he most admires.

“I think of riff making as an art-form. I take it really seriously. I think it deserves more attention. It has such value.”

Speaking of riffs, Rizzo came into the band a decade ago and his love of thrash metal, death metal and collaborative spirit has energized Max ever since.

“When Marc entered Soulfly, it was a drastic change. He’s the guitar player I’ve been looking for my whole life. Andreas [Kisser] and I really clicked when we worked together. I never had that again after that. We had other guys that were cool, but it was never 100% there. When Marc came in, I found it! We’ve developed a great bond since.”

Rizzo particularly shines on the opening track on Savages, ‘Bloodshed.’

“There’s stuff all over the song – clean guitars, feedback – he just makes the song better.”

Campos has a lengthy resume in the world of metal and Max says they bonded over their shared Latino heritage, among other things.

“I had this idea about this guy Vargas, a Venezuelan cannibal, they call him ‘El Comegente.’ He’s the Hannibal Lecter of the Andes. We both read about it. Tony sings some of it in Spanish and I sing in Portuguese. He’s a great bass player too, fucking amazing. Killer bass tones, distortion, all balls-out metal. He keeps this shit real heavy, great tone. It’s great recording with guys who know what they’re doing. I don’t have to ask if they know.”

Max acknowledges the inherent risk in putting a 21 year-old behind the kit for such an important record, but it was a risk he absolutely wanted to take.

“To have my son drumming on the album, that’s killer. I like risks. I like to start shit up and see what happens. Even if I fail, at least I knew I tried. Rather than knowing I didn’t try at all. To me, that’s the bigger failure. It took a little bit of courage to put my son on it. I came to the studio and told Terry there was a young drummer who doesn’t play to a click. Terry knew what to do and Zyon did great. The drums sound amazing.” 

Like all things Max Cavalera, does SOULFLY’s Savages is a family affair. Not only does it mark Zyon’s recorded debut with the band, but one of Max’s other kids throws down some vocals in the opening track, ‘Bloodshed’.

“My son Igor has a killer punk rock voice that reminds me of the old CORROSION OF CONFORMITY days,” Max says.

“The chorus has this old punk style riff, almost like a MISFITS type riff. His voice is killer.”

Like every SOULFLY album, Savages contains an impressive guest list comprised of veterans and up-and-comers. CLUTCH’s Neil Fallon turns up on ‘Ayatollah of Rock ‘N’ Rolla’, the title of which was inspired by Mel Gibson’s classic Mad Max 2: The Road Warrior movie. Jamie Hanks from I DECLARE WAR brought his high and low deathcore vocals to ‘Fallen’, a death metal oriented song Max says is in the vein of CANNIBAL CORPSE.

Mitch Harris from NAPALM DEATH contributed vocals to ‘K.C.S.’ Harris has been around the Cavalera’s long enough that there are videos of him changing Zyon’s diapers when SOULFLY’s new drummer was just one month old.

Mitch came to the studio just to hang out during a day off from tour,” Max explains. “I’m like, ‘You ready to sing some shit on this record?’ I put him on the spot. He’s like, ‘Right now?’ I said, ‘Fuck yeah, let’s do it!’ There was one point where we were recording together where he did a scream and I saw his eyeball popping out of his face like a cartoon. I was like, ‘Dude that was the most metal thing I’ve seen in a long time.”

Even as Max continues to consume new music from band like NINE INCH NAILS, MAN MUST DIE, TRIGGER THE BLOODSHED and I DECLARE WAR, even as he revisits seminal material from METALLICA, SLAYER, C.O.C. and the like, and indulges his penchant for world music, and gets his hands in his other projects and collaborations, it all adds up to a singular, distinct, straightforward and riff-heavy machine known as SOULFLY.

‘Bloodshed’ lyric video: http://youtu.be/ykFQQQ81OSs
Studio trailer #1: http://youtu.be/ml1cqN5dwAM
Studio trailer #2: http://youtu.be/g1SDAt2jco4

www.soulfly.com

http://www.facebook.com/pages/Soulfly/8616079092?fref=ts

www.nuclearblast.de/soulfly

SCAR THE MARTYR Stream New Single

Scar the Martyr’s “Blood Host,” the first song from their self-titled debut due out October 1, is streaming now exclusively on RevolverMag.com! The band features Joey Jordison (Slipknot) on drums, Kris Norris (Darkest Hour) and Jed Simon (Strapping Young Lad, Tenet) on guitars, Kyle Konkiel on bass, and Henry Derek on vocals.

Scar the Martyr will embark on their first US tour in one week, with Danzig and Huntress; dates and ticket links are below!

08/09/2013 Sound Academy Toronto, ON
08/10/2013 The Studio At Webster Hall New York, NY
08/13/2013 Sands Bethlehem Event Center Bethlehem, PA
08/14/2013 Newport Music Hall Columbus, OH
08/16/2013 Congress Theatre Chicago, IL
08/17/2013 Myth Maplewood, MN
08/18/2013 Bourbon Theater Lincoln, NE
08/20/2013 The Great Salt Air Magna, UT
08/21/2013 Revolution Center Boise, ID
08/22/2013 Roseland Theater Portland, OR
08/24/2013 Flames Central Calgary, AB
08/25/2013 Union Hall Edmonton, CA
08/27/2013 Commodore Ballroom Vancouver, AB
08/28/2013 Showbox SoDo Seattle, WA
08/30/2013 Gibson Amphitheatre @ Universal City Walk Universal City, CA
08/31/2013 Marquee Theatre Tempe, AZ

Maldivian Metallers NOTHNEGAL Announce EP Release Date

Maldivian melodic heavy metal band NOTHNEGAL and their international label Season of Mist issued an updated release date for the band’s upcoming experimental self-titled EP. The new release North American release date for the EP will be August 6, 2013. The EP will release in all other territories a week prior on July 29.

Track Listing:

1 – Actuality

2 – Rannamaari

3 – Viha

4 – Flux Plane

“This EP will have an experimental sound inspired from traditional music of the Maldives with the lyrics being based on the folklore, beliefs and legends of the islands here,” states guitarist Hilarl.

“We wouldn’t say that this is the successor of Decadence, as the sound on these songs would be far from our normal sound, so we want to treat this as more of an experimental release. We are curious to know the people’s reaction to this. We have already started writing the material for our next full length album which would have a more familiar sound to the fans.”

Hilarl adds,

“The other major change on this would be the fact that our longtime guitarist Fufu, who is also a founding member of NOTHNEGAL was not able to be part of the songwriting and recording of this EP due to personal commitments. Chippe’ (Serenity Dies) filled in for him.”

The EP was recorded at Vakaruge Studios in the Maldives with producer Shamheed, with additional production being handled by Matt Hyde (Slipknot, Bullet for My Valentine, As I Lay Dying) and Paul Reeve (MUSE). The NOTHNEGAL EP will consist of four tracks and will be released exclusively through digital retailers in North America and other parts of the world.

NOTHNEGAL:

Affan (Vocals)

Hamad (Bass)

Hilarl (Guitar)

Chippe (Guitar)

Marco Sneck (Keyboards)

Kevin Talley (Drums)

For more information on NOTHNEGAL, please visit these websites:

www.nothnegal.net

www.facebook.com/nothnegal

www.twitter.com/Nothnegal

www.myspace.com/nothnegal

www.youtube.com/user/NothnegalOfficial

NOTHNEGAL Back in the Studio

Season of Mist, French independent label for Metal and Rock

Less than a year after the release of their debut album Decadence, Maldives’ very own NOTHNEGAL issued the following update:

“We entered Vakaruge Studio in Male, Maldives last week. We have already recorded demos and will be working with producers Matt Hyde (known for his collaboration with Slipknot, Machine Head and Bullet For My Valentine among others) handling the overall production and Paul Reeve (who worked as a producer on most of Muse’s albums) dealing with the vocal and additional production. The idea is to incorporate environmental / ambient sounds and traditional instruments of the Maldives into the music, in order to create a unique blend. Our new singer Affan will perform vocals on all songs, this time”.

Nothnegal

Decadence, featuring the singles Claymore and Salvation, as heard on The Welding Room, is available in Season of Mist’s e-shop.